We Are The Blues - Archie Shepp And Roswell Rudd - Live In New York (CD)

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9 Comments

  1. cofymvoodookinosthordiri.xyzinfo Roswell Rudd & Archie Shepp: Live in New York is a reunion, recalling the collaboration between trombonist Rudd and tenorist Shepp in the s. Toward the end of that decade, Grachan Moncur III provided a second trombone in their combo, and he's conveniently present for this date, too.4/5(6).
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  3. Attica Blues, and beyond – a great late 70s performance that has Archie Shepp turning the clock back towards that famous album – but also making some very new grooves with a richly expanded lineup! The double-length set was recorded in Paris, in front of a very lively crowd – and it's honestly one of Shepp 's most dynamic records from the time – definitely inspired by all the freedom.
  4. It's been more than three decades since saxophonist Archie Shepp and trombonist Roswell Rudd recorded together, and Live In New York reunites them in a perfect setting: live performance. To get the record clear, these two players helped bear the flag for free jazz during its dimmest, darkest years: the period from the end of the '60s till the present.
  5. Mar 20,  · Shepp’s Live in New York from a few years ago is a must. The band was awesome - I saw them at the Jazz Standard in midtown. Superstar ensemble - Reggie Workman on bass, Andre Cyrille on drums, Roswell Rudd on trombone. Super set.
  6. Jazz Trombonist and Composer Roswell Rudd Rudd is known for his work with groundbreaking groups and musicians like Herbie Nichols, the New York Art Quartet, Cecil Taylor, Archie Shepp, and Carla.
  7. Shepp’s Impulse! debut, co-produced by Coltrane and featuring four of his compositions, arranged for four horns, including Wayne Shorter’s brother Alan, and the one and only Roswell Rudd. g vinyl.
  8. Find similar albums to Attica Blues - Archie Shepp on AllMusic AllMusic. New Releases. Featured New Releases A&R Studios, New York, NY ; Submit Corrections Album Moods Roswell Rudd. Roswell Rudd. AllMusic.
  9. Apr 25,  · From his seminal work with Steve Lacy and Archie Shepp to the New York Art Quartet and New York Eye and Ear Control (with Don Cherry, Albert Ayler, John Tchicai, Gary Peacock, and Sunny Murray) to his latter-day collaborations with Malian, Mongolian, and Chinese musicians (the bulk released by Sunnyside Records), Rudd was the epitome of.

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